Passato Prossimo

35,00 

Format: 24×30 cm
Pages: 96 + cover + box
Interior paper: Arena rough white 140 gsm.
Bodonian cover covered in Sirio rough stone colour 140 gsm with black print.
Language: Italian
Sewn paperback
Printing: 4-colour digital

Description

PASSATO PROSSIMO

The municipalities of Sesto San Giovanni and Crespi d’Adda had similar industrial origins: both saw the emergence of villages built to accommodate, house and facilitate community life for workers close to their workplaces. The workers’ housing buildings are characterised by a simple and functional style, while services are provided through public buildings and spaces such as schools, churches, public toilets and shops. In both cases, this constitutes a valuable testimony to the industrial culture of Lombardy in the late 19th and early 20th centuries. Although they share the same urban planning objectives, the development and context of the two villages are completely different: Crespi d’Adda remained isolated in a rural setting and has retained a cosy atmosphere surrounded by greenery, preserving an integrity that makes it a unique “museum village”. Sesto San Giovanni, on the other hand, has expanded urbanistically and industrially to become an integrated metropolitan area with Milan, losing some of the village’s original isolation to become a true working-class town. Two different stories from the same industrial period, therefore, two developments that illustrate distinct models of workers’ villages: Crespi d’Adda is the utopian, self-sufficient project that has survived the passage of time and social and industrial transformations; Sesto San Giovanni is an example of evolution into an industrial city.

Additional information

Alessandro Roncaglione and Giovanni Tamanza

Alessandro Roncaglione
I have been working in the field of photography and video for many years. Living off images means searching for a personal vision. My goal is to find that extra something that can characterise my work and make it unique. My intention is to show the work of others through a curious and, if you like, artistic eye. Unexpected and therefore different. It is curiosity that drives me to interact with the environment that gives space to every work activity, including the people who live it. I recount what I see, but I try to see what seemed hidden before I photographed it.

Giovanni Tamanza
I was born in Monza in 1971 and live in Sesto San Giovanni (MI).
As a teenager, I became interested in and passionate about drawing and painting.
Later, while attending the State Art Institute,
I became interested in analogue photography and its technical aspects.
Only in recent years, thanks to participating in courses and workshops,
has my approach become increasingly conscious and critical.
I hope to be able to communicate through images, through continuous research.